Last week, we reviewed the Warner Bros. Animated movie Superman: The Man of Tomorrow. Months ago, when the title of the movie was announced and there wasn’t any information about the movie, I thought they may be adapting the venerated Superman story: Whatever Happened to the Man of Tomorrow. To my dismay, they did not adapt it and we were given a generic origin story for Superman.
Fast foward to a week later, I decided that we will be doing a retro review for Superman: Whatever Happened to the Man of Tomorrow. This story was originally told as a 2 part tale in Superman # 423 (Part 1) and Action Comics #583 back in 1986. It was written by Alan Moore (with help by editor Julius Schwartz). The art was done by long time Silver Age artist, Curt Swan with inks done by George Perez (Superman #423) and long time Silver Age inker, Kurt Schaffenberger (Action Comics #583). The story is regarded as the “Last Superman Story” which is somewhat true. It was the last Silver Age story before DC would reboot and modernize Superman with the release of Man of Steel miniseries.
If you have never read this story, we highly recommend you buy the Collected Edition (Retails for $14.99 but you can find it for less online) and then listen to the podcast. This story has some surprises in the 2nd half and we spoil all of them in the podcast.
If you don’t mind spoilers, then check out the podcast. We go over a brief history on how Alan Moore was selected for this story and why it is considered one of the best Superman stories as well as best told comic book stories.
A few months ago while searching for the release date of Superman: Red Son (a comic and animated movie that are both quite good), I came across an image for another upcoming Superman animated film called Superman: Man of Tomorrow.
There was no description of this movie but I was excited that WB Animation will be releasing another Superman film in 2020.
Fast forward to September 2020 and the release of Superman: Man of Tomorrow written by Tim Sheridan (co-writer of Reign of Superman Movie and other DC Animated series).
Jon and I have watched this movie and we felt it was…adequate. This movie is not based on any existing storyline in the Superman comics as far as I can discern. It has elements of the New 52 iteration of the Superman comics (Modern interpretation of Superman, Clark Kent is an internet at the Daily Planet, Superman has only just been spotted in a modern setting) but it does not specifically reference any direct comic storyline. Here is a clip of the movie for context:
Listen to the podcast and I will explain why this movie has the worst version of Lex Luthor since Superman Returns. This is a boilerplate Superman story whose only purpose is to establish Superman’s story in the modern age. There is nothing special about this movie and it will soon be forgotten in the coming months.
We recommend to watch this movie only if it becomes available on HBOMax and don’t pay any thing extra for it. If you are curious about the plot (or lack thereof), then you want to listen to the podcast.
The world is in a social crisis. COVID-19 is impacting everyone and we are all worrying about the future. Now seems like the perfect time to talk about a cheery subject – a totalitarian future were everyone’s freedoms are stripped away and there is no hope.
This is not entirely true. The is one hope – one man wages war on a despotic government to overthrow the tyrants and return freedom to the people. Hooray! We are going to be talking about V for Vendetta. A comic by writer Alan Moore and artist David Lloyd. It was originally published as a serial in a UK comic Warrior in 1982. DC converted it into a 10 issue miniseries in 1988.
I have been waiting for the perfect time to talk about this comic and now seems the best time. Jon and I share our history regarding reading this comic.
We talk about the history of the comic coming from Warrior and moving over to DC. The original David Lloyd art was in black and white and DC wanted it to be in color. Normally, this would not be a problem but Lloyd uses Negative Space technique for the black and white images and that will not look great with color. The colorists for the comic get around the problem.
We then get into world history of the UK in the 80s and how that would have a major influence on Moore and Lloyd on the creation of V and how their dystopian society looked.
We then get into talking about the actual comic (but not too much). We go over the first 2 issues. We learn about V, the main protagonist. Evey, a innocent by-stander that gets swept up by accident into V’s terrorist plot and finally, Mr. Adam Susan, face of the fascist regime that is controlling the UK.
This podcast is a great place to start if you have never read V for Vendetta. We don’t talk too much about the comic in this podcast but we are giving you a chance to read it and come back in a week for part 2. Next week, we will get into all of the comic and do a comparison of the movie to the comic.
Some bloopers in the podcast: This is podcast 256, not 258. Alan Moore wrote Swamp Thing not Swamp Men and there are probably a dozen others but I am too tired to address them. This is why it’s called Comics Misremembered.
In the podcast, I promised a link to Superman Annual #11 (Here) AKA “For The Man Who Has Everything”. Moore explores the same themes of nationalism and fascism.
Back in 2018, we reviewed the 2003 Elseworlds story, Superman: Red Sun which you can listen to here. Jon and I both really like the comic (except for the ending).
2 years later, we are reviewing the newly releases Warner Bros. Animated movie – Superman: Red Son. Which is written by long time comics scribe, J. M. DeMatteis. I looked at his IMDB page (which you can see here) and he has written quite a few TV episodes, including one of our favorite Justice League Unlimited episodes “For the Man Who Has Everything“.
J. M. DeMatteis does an excellent job at creating a teleplay based on the original comic material that retains all the great elements while streamlining the story so that people not familiar with comic can still enjoy it too.
Here is a clip of the movie to give you an example of the quality of animation:
The story and the animation are top notch. Jon and I go over the movie and talk about the differences between the comic and movie and if we like the changes.
Spoilers are ahead so we recommend watching the movie first and then coming back to listen to the podcast. Go watch the movie – it’s not like you got anyplace to go. We are all stuck inside at this point.
We have reached the end of 2019. It has been another great year for comics. There were plenty of great comic books, comic related shows and movies that we covered here at Comics Misremembered.
Traditionally at the end of the year, most comic podcasts would do a review show of the best of the best comic related books, shows and movies but that’s not what we do here at the Comics Misremembered Podcast.
We like to cover comic related stories that happened through out the year that we thought were funny to us. The topics we cover are either a storyline, a story about a creator or comic company or any comic related tale that we want you to remember again. We called the award show The Hazies – because our memory is a little hazy.
I even went out and bought an actual award. I am not mailing it out to the winners (Sorry). I have been meaning to get one so here it is…
Listen to the podcast to find out who or what won this Hazie for these categories…
Dick Move Hazie
Killing Me Softly With His Love Hazie
Fear of a Female Planet Hazie
I Take My Coffee Black Like My Worldview Hazie
He Put The ‘No’ in Nostalgia Hazie
All these and many, many more were given out so tune in and have a laugh with us.
PS – Thanks to Emperor Palpatine to take some time out of his busy schedule promoting Star Wars: Rise of Skywalker to help us with our Hazie Award intro.
Over the last few weeks, we have talked about DC’s 1985 Crisis on Infinite Earths miniseries and how it retconned their multiverse into a single universe.
DC’s new single Earth universe would remain this way through several crossover events and one more crisis, Zero Hour: Crisis in Time. It will not be until the year 2000 when writer Grant Morrison and artist Frank Quitely would introduce the concept of multiple Earths again with the stand alone comic, JLA Earth 2
I just want to talk about these covers for a second. Frank Quitely is a fantastic artist and he creates some amazing perspectives. I love how he literally has the mirror image of the JLA and CSA on these covers. The interiors are great too.
In this comic, we are reintroduced to The Crime Syndicate of Amerika who are now on the anti-matter world of Earth 2. Prior to Crisis on Infinite Earths, these villains were known as The Crime Syndicate of America and they resided on Earth 3.
As I mentioned in the podcast, the 1960 Earth 3 Owlman looks dumb. He looks like a man wearing a owl hat. How is anyone supposed to be intimidated by that? But the 2000 update by Morrison and Quitely is as scary as the original Batman!
Besides the amazing updates to all the costumes, Morrison and Quitely weave a compelling tale about what happens when a team that believes in truth and justice cross over to a world of pure evil. They explore Good vs Evil and show that these 2 concepts aren’t always black and white.
We also go over some of the real world events that happened back in 2000 and some of the history for the Justice League of America from 1985 – 2000.
Hello and welcome back to the 2nd and final part of our discussion on the epic miniseries Crisis on Infinite Earths that came out in 1985.
The series was written by Marv Wolfman with art by George Perez (pencils) and Jerry Ordway (inks). It was originally published by DC.
We do a quick recap and then get right back into the discussion of the story. Issue #7 is perhaps the most important issue of the series. It is where we get the origin story of Monitor, Anti-Monitor and Pariah. It is also has the death of an important member of the DC Universe – Supergirl.
You knew something bad was going to happen just by looking at the cover to issue #7…
Look at the way Kara looks in Superman’s arms and the way that Superman is crying. Those are tear of pain. Everyone thought “Supergirl must get hurt pretty bad in this one.” No one expected a death! That was unheard of for a popular character to die in comics but DC and Marv were rewriting all the rules, baby!
I mentioned that this cover is also one of the most parodied covers in all of comicdom. I did a quick google search and her are some the the “homage” covers that I found…
There are many, many more that exist out there. It just goes to show you how influential this series and George Perez’s art was this this time.
There is another death too in issue #8. An even bigger death! Listen to the podcast to find out who!
At the end of the podcast, Jon and myself reflect on the series and give you the answer on “Would you recommend the series?” Our answers may shock you.
(in the podcast I mention we are recording in 2017. This is a misremebrance. We actually recorded this on 11/24/2019)
Last year the CW shows (Arrow, Flash, Supergirl and Heroes of Tomorrow) did a crossover event – Elseworlds. At the end of the crossover, they teased their next crossover with this static image:
We were like “Are they actually going to do this? This story? On the CW shows?!!”
The original, seminal comic miniseries Crisis on Infinite Earths came out in 1985 and it was one of the first “maxiseries – anything over 6 issues”. It was an epic tale and was a huge undertaking for the writer and artist. In this case:
Writer – Marv Wolfman
Artist – George Perez
Not only did these 2 creators tell a tale that spans dozens of worlds, with hundreds of characters over millions of years but it also served a purpose of realigning the DC universe to streamline it for new readers without alienation long time fans. It accomplishes both by the twelfth issue.
Here are some of the covers of the original miniseries:
In this week’s podcast, Jon and I go over the history of why Crisis on Infinite Earths was necessary to clean up continuity. We talk about our own histories on how we discovered the comic. We talk about the story and characters.
We can’t really say there are spoilers since this story is 35 years old and the basis on future Crisis events like Infinite Crisis and Final Crisis. In fact, all the plot twist that happened in this series have pretty much been retconned 3 or 4 times now.
Join us next week for the conclusion of our discussion on Crisis on Infinite Earths!
Back in 2017, I saw a trade paperback for a books called Sugar & Spike: Metahuman Investigations. The cover looked interesting but what caught my eye was the writer – Keith Giffen.
Keith Giffen is a well known writer and artist that has worked on high profile books like Legion of Superheroes and JLA. He is one of my favorite writers because he loves to inject humor in his projects. The 80s JLA is a great example of telling superhero stories with humor instead of the normal grim and gritty style that was popular at the time.
I wasn’t too familiar with the artist Bilquis Evely but I looked at a few pages and really liked her style for this book so I immediately picked it up.
Now, you may not be too familiar with the titular duo and that is okay. These characters were created back in the 50s by writer and artist Sheldon Mayer. They were originally baby characters that were in a funny book. Here is an example of Mayer’s version of Sugar & Spike:
In the podcast, Jon and I go through Sugar & Spike’s cases and we point out that all of their cases are based on silly DC silver age story lines and Giffen pays homage to these classics. One of the pages of the comic references the exact comics:
We both highly recommend this book for the art and humorous story. Jon mentions that this book reminded him of the old Moonlighting show and that is a great example of why this book works: a pair of opposites begrudgingly work together to solve crimes while knocking each other down a peg.
There probably will never be a sequel or follow up so I will just have to enjoy what I have and re-read it again.
Superheroes are very popular right now, so why not throw them into a horror movie? That’s what you get with the new superhero horror sub-genre movie, Brightburn.
Technically, Brightburn is not a super”hero” movie. More of a super”psychopath” movie but the marketing is saying superhero so that is what I am writing. Jon and I saw this new movie, from producer James Gunn, and we talk about our expectations of the movie and what we actually thought about it after viewing.
*Spoiler Warning! We talk about plot points about the movie in the podcast*
The mask is a dead give-away that there is something not right with that Brandon Breyer boy. Glowing red eyes and that stitched up maw. He doesn’t look like he will be doing much “superheroing”. He looks like he wants to eat your liver with some fava beans and a nice chianti.
Now the “Evil Superman” genre has been done to death in the comics medium. After we talk about the movie, we go on to talk about how DC has done multiple bad guy superman stories featuring characters like…
from left to right: Superboy Prime, Superdoom and Ultraman. Don’t know who these baddies are? We break them down for you and rate them against Brightburn.
We don’t stop there! We talk about Evil Superman pastiche that exist in other comics such as Irredeemable, The Boys and Marshal Law.
Then there are bad Supermen characters that I totally forgot and just remembered as I am typing right now like Nuclear Man from the Superman IV movie or Kid Miracle Man from Miracle Man (we did do a podcast on Miracle Man and do discuss Kid Miracle Man there). Our podcast is not a complete list of Evil Supermen but we just wanted to show you that this genre has been used so much that it is pretty cliche.
1992 was a very eventful year in comics. It was the death of Superman. What will Metropolis do? Who will protect the city from the forces of evil?
4 new challengers enter the fray…
The weeks that followed, readers of the Superman comics were introduced to 4 new defenders of Truth, Justice and The American Way. These 4 new heroes were (from left to right): Steel, Cyborg Superman, Superboy and Eradicator.
Fast forward to 2018, Warner Bros Animation release the Death of Superman movie and several months later, we receive the follow-up:
Reign of the Supermen Movie!
Jon and I have recently watched the movie and we go over how well the movie does to try to tell 4 origin stories and then try to introduce a major villain while giving a surprise reveal all within 90 minutes!!
Jon and I agree that overall, the movie is pretty good with its story and animation. I have some minor complaints about the origin of one of the Supermen but its not a deal breaker.
Here is a close-up of Cyborg Superman…
As you watch the movie, Cyborg Sups seems like he is the real deal but is he hiding a dark secret from Lois Lane and the viewers? If you listen to the podcast, you will find out.
Lastly, we do have some Spoilers regarding the plot of the movie. I don’t consider spoilers since the movie is based on a comic that came out over 25 years ago. You have been warned!
We started a tradition 3 years ago on the podcast called The Hazies where we did a review show for that previous year but we disguised it as an award show.
We still give out the same Hazie as we did back then. Here is a photo of it:
Everyone does year end reviews about the “Best Comics” of that year but we already spend the whole year telling you what comics you should be checking out so why be boring and tell it to you again. Jon and I decided that since it is the Holidays, we want it keep it light and make the last podcast of the year just one big party. This was the inception of The Hazies. This is our 4th Annual Hazie countdown and we create some “Awards” aka jokes for the Comic Industry (more like, at their expense).
See who won the Hazies for:
I’m All About The Foreplay
Circle of Jerks
That Not So Fresh Feeling
I Can’t Feel My Brain
and more! Grab a beverage of your choice, sit in your most comfortable chair and have a laugh with us at The Hazies.
Heroes in Crisis is the new 9 issue miniseries by writer Tom King and artist Clay Mann.
It is published by DC and it is their 2018 event comic. How do I know it’s an Event Comic? Well, it does have “Crisis” right there in the title. I mean, that’s a dead give away right there, man. C’mon! Do you even comic book?
Enough of that silliness, let’s get back to serious business – talking about comic books! Jon and I had the opportunity to read the first issue of Heroes in Crisis that came out this past Wednesday and we decided to give it a review on the podcast but also take some guesses as to who is the murder. What? You didn’t know it was a murder mystery? Yep. There are many murders in this book and it was a hero that did it? (Or was it?)
Okay. Before we go too much further in the plot, let me just say right here:
THERE WILL BE SPOILERS IN THIS PODCAST!
Now, it’s just the first issue so I don’t know how much we can actually be spoiling but we do take some “stabs” at guessing who ultimately is responsible for the deaths at Sanctuary.
First Spoiler: There are 2 suspects that the reader is given at the end of the issue…
I know exactly what you are thinking: “Who is Booster Gold?” or “Hell Yeah, it’s Harley Quinn!” Both are valid points. Listen to the podcast and we give our opinions on who really is responsible for the murders. It just might change your opinion! We also go over a quick history of Booster Gold for those that need a refresher.
Heroes In Crisis is starting off with a bang (and a stab)! We look forward to the rest of the series. Also, if you want to know why “Crisis” is DC’s event brand, you should really listen to Podcast 132: CW’s Crossover Event: Crisis on Earth-X. I rundown all the related Crisis titles DC has published.
We will be going back to 2003, George W. Bush was in office, the US was administering shock and awe to Iraq and we have the official formation of the Department of Homeland Security.
There was a lot going on in the world, so it seemed like the perfect time for writer Mark Millar to pitch the Elseworlds tale “What if Superman grew up in 1950s Communist Russian?” Luckily for all of us, the DC editors gave him the green light.
This leads to a 3 issue Elseworlds tale entitled Superman: Red Sun. Written by Mark Millar with art by Dave Johnson and Kilian Plunkett.
These are the 2 Tradepaper back covers of the collected story. Both are done by Dave Johnson so you get an idea of how great it looks.
Jon has never read this story so he found it very shocking. I read it when it originally came out and recently reread it when I bought the TPB.
Jon and I had a great time going over the book and there are spoilers but we save them for the very end of the podcast and do warn you to stop listening if you are going to read it.
Back in 1992, DC comic creators had planned a story line where Clark Kent would finally marry Lois Lane after years of dating. This story was canceled at the last second due to a series of unfortunate events (which we chronicle in the podcast).
At the eleventh hour, the creative teams decide to go with a story line that was first suggested as a joke – “What if we kill Superman”?
This led to the infamous Death of Superman story line that ran for a few years through all 4 Superman books leading to the ultimate issue – Superman #75 where Superman finally dies…at least for a year or so. C’mon! No one stays dead forever in comics. 😉
Here is what Superman #75 looked like in it’s sealed black plastic bag and the actual cover.
Jump to 2018, WB video has just released a direct-to-video original movie called The Death of Superman. It is a adaptation of the multi-issue comic event that ends with Superman dying. (Spoilers!)
Jon and I have watched the movie, read the comic event and give a brief oral history on why it was a good idea to kill one of the most recognized comic creations.