Welcome back to the second and final part of our discussion of Alan Moore and David Lloyd’s V for Vendetta comic miniseries. The 10 issue miniseries was published by DC back in 1982.
In part one of our discussion we covered: the uniqueness of Lloyd’s original black and white art and the problems with coloring it with DC. There are several literal influences in V for Vendetta but the political climate of the UK in the 1980s may have been the biggest influence on this comic.
We started to talk about the comic but we ran out of time. We picked up that discussion with Part 2. We go over who exactly Guy Fawkes is and why his mask is relevant to the comic. we get through the story and what we like (and dislike) about it but we feel it is still a very relevant comic that still need to be read.
we recently, watch the V for Vendetta movie and compare it to the comic. Jon and I have very different views about the movie and if it is faithful to the comic. Listen to the podcast to see who’s side you will take.
Overall, V for Vendetta is a good read with great art. It is not as ground breaking to comics as Watchmen but you’ll enjoy the ride.
The world is in a social crisis. COVID-19 is impacting everyone and we are all worrying about the future. Now seems like the perfect time to talk about a cheery subject – a totalitarian future were everyone’s freedoms are stripped away and there is no hope.
This is not entirely true. The is one hope – one man wages war on a despotic government to overthrow the tyrants and return freedom to the people. Hooray! We are going to be talking about V for Vendetta. A comic by writer Alan Moore and artist David Lloyd. It was originally published as a serial in a UK comic Warrior in 1982. DC converted it into a 10 issue miniseries in 1988.
I have been waiting for the perfect time to talk about this comic and now seems the best time. Jon and I share our history regarding reading this comic.
We talk about the history of the comic coming from Warrior and moving over to DC. The original David Lloyd art was in black and white and DC wanted it to be in color. Normally, this would not be a problem but Lloyd uses Negative Space technique for the black and white images and that will not look great with color. The colorists for the comic get around the problem.
We then get into world history of the UK in the 80s and how that would have a major influence on Moore and Lloyd on the creation of V and how their dystopian society looked.
We then get into talking about the actual comic (but not too much). We go over the first 2 issues. We learn about V, the main protagonist. Evey, a innocent by-stander that gets swept up by accident into V’s terrorist plot and finally, Mr. Adam Susan, face of the fascist regime that is controlling the UK.
This podcast is a great place to start if you have never read V for Vendetta. We don’t talk too much about the comic in this podcast but we are giving you a chance to read it and come back in a week for part 2. Next week, we will get into all of the comic and do a comparison of the movie to the comic.
Some bloopers in the podcast: This is podcast 256, not 258. Alan Moore wrote Swamp Thing not Swamp Men and there are probably a dozen others but I am too tired to address them. This is why it’s called Comics Misremembered.
In the podcast, I promised a link to Superman Annual #11 (Here) AKA “For The Man Who Has Everything”. Moore explores the same themes of nationalism and fascism.