Welcome back to the final (for now) Comics Misremembered Podcast. It has been a fun and fast 5 years of this podcast but I am bringing it to a close.
In the podcast, I go over the reasons why I am ending the podcast. The biggest one is the loss of Jon, my co-host. He was a major reason this podcast was started and is another reason why it is ending. Listen to the podcast for the rest of the reasons.
I plan on keeping this website up for at least another year and then I will finally shut it down. I plan on transferring all the podcasts over to Anchor.FM (link on main page) so that after I close this site, you can still listen to all the previous podcasts that we recorded. I will continue to keep the Twitter, Facebook and Instagram accounts open.
You may find the occasional update on this site if I find myself compelled to speak on something happening in the comic community but there will be no weekly updates.
Lastly, I want to thank you – the people reading this message and listening to the podcasts. You made it worth the time and effort in creating these weekly podcasts. Thanks for coming back each week and joining our comic discussions.
It was a great time and I hope to see you all in the future,
Welcome back to the 2nd part of the Top 10 comic review. This comic originally came out in 1999 as an Image comic. It was printed under Alan Moore’s imprint of America’s Best Comics. The writer was Alan Moore with Gene Ha and Zandar Cannon providing the artwork.
In part 2, I wanted to explore the themes of some of the storylines rather than just talk about the story itself. This comic can be quite humorist both visually and the jokes that are used. Gene Ha and Zander Cannon pack each page with dozens of comic book easter eggs that a long time fans will love. Moore also lays out a dozen jokes and funny situations for readers to enjoy.
There are also many dramatic and humanistic moments in the comic. I outline a few but this is just touching the surface of what the miniseries offers.
This was a favorite of mine 20 years ago and I had a blast re-reading again for this podcast. I left this review mostly spoiler free so that you can grab a copy of it and enjoy the 2 main plot twists.
This week we are talking about an original graphic novel that came out about a month ago that is part western and part crime drama. It is called Pulp.
This fantastic story was written by Ed Brubaker with art by Sean Phillips and coloring by Jacob Phillips. It was published by Image comics.
Here is the description from the Image website:
Max Winters, a pulp writer in 1930s New York, finds himself drawn into a story not unlike the tales he churns out at five cents a word—tales of a Wild West outlaw dispensing justice with a six-gun. But will Max be able to do the same when pursued by bank robbers, Nazi spies, and enemies from his past?One part thriller, one part meditation on a life of violence, PULP is unlike anything award-winning BRUBAKER & PHILLIPS have ever done before.
Jon and I really liked this story and we talk about it and other themes like: living through the Turn-Of-The-Century – witness the world change from riding on horses to riding in cars. Comic creators and their rights on the characters that they create – we go over some real comic history, and finally the rise of fascism in America – in the 1930s, some Americans thought Hitler was a great leader. How could so many people be so wrong?
Some spoilers in the podcast but we recommend you go buy the comic and come back to listen to the podcast.
The future is now! We are continuing our discussion on future dystopian comics and this week we are cover the future of American Flagg!
American Flagg! was a comic written and illustrated by Howard Chaykin with letters by Ken Bruzenak that originally started in 1983 and was distributed by First Comics, an independent publisher at the time.
American Flagg! takes place in 2031 in Plex America which is the name of the former United States of America. It follows the adventures of former TV star, now conscripted Plex Ranger, Reuben Flagg. He is relocated from Mars, a planet of the wealthy to Earth, home of the dregs of society and in a constant state of conflict. It is up to Flagg and his Plexus Rangers to establish order and return Plex America to it’s former glory before the Tricentennial.
We review the collected trade volume one by Image. It collects the first 6 issues.
This comic is a dark, satirical take on America and it’s politics in the 1980s, but it feels as relevant today, more than ever. In Flagg’s reality, people have broken their political beliefs into fractured, radicalized cells and wage war on the streets with other political parties every day – and this is a normal day! Chaykin takes a philandering louse and makes him the hero of the story and it works! This comics gets you with humor and keeps you reading for the twists and turns of the plot. Netflix, HBO and Hulu – why are you not making this a series yet?!!
This week’s podcast was brought about by an answer to a twitter question: Without telling me exactly how old you are, tell me something about your youth?
Someone answered “I was alive when you had to call a 1-900 number to kill robin.”
Jon did not get the answer to the question. I immediately knew exactly what this person was saying. I started to tell Jon about the controversial Batman: Death in the Family story arc (Batman #426 – 429, 1988). The story was written by Jim Stalin (Infinity Gauntlet) with art by Jim Aparo (long time Batman artist) and inks by Mike DeCarlo.
Jon started to remember bits and pieces. I told him that this would be a great time to review that story on the podcast since I have the trade paperback of the story. So we both read it and here we are this week talking about a story that is about 28 years old.
I started to collect Batman comic just as this story was being published. I missed issue 426 but I was able to get the rest. About a month later, DC would collect all 4 issues in a trade paperback that had this cover:
Normally, collected trades for well known stories never came out shortly after they were published in issues in 1988. Some it is unusual that the trade came out as quick as it did and it was printed on regular paper stock, not the traditional high gloss stock.
It was a shocking event for 1988. There were very few deaths of heroes in comic up to this point. Killing Robin was as significant as killing Jean Grey and James “Bucky” Barnes. The other unique part of the death is that fans decided Robin’s fate. You would call one of 2 1-900 numbers: one to save Robin and the other to kill him. The media was all over this. When infamous issue #428 came out revealing Jason Todd (Robin) died, all the news channels were reporting it.
This story is an interesting time capsule. DC used the technology of the time (1-900 numbers) to get more interactive with fans and let them have a say in what happens. This type of event was never duplicated again (as far as I can remember).
We both read it again and had some good times remembering the good, the bad and the ugly regarding Batman: Death in the Family.
It’s the first podcast of the new decade! Happy 2020 everyone!
We will be covering a comic this week and it is a very interesting one – in both story and format.
The comic is called Sara – it is the tale of a Russian sniper during WW II. It is written by Garth Ennis with art by Steve Epting and coloring by Elizabeth Breitweiser. It is published by TKO Studios.
The format of this comic is very interesting to me. TKO Studios has a very unique business model. They only release 6 issue stories and they release the issues all at once. You can purchase them in a trade paperback or in 6 issues in a collectors case. Their model is binge reading. Here are some of Steve Epting and Elizabeth Breitweiser’s work on the covers:
As I mentioned, the story is great – a well paced story with moments of quiet introspection juxtaposed with pages of violent action. Here is an example of the interior art work. Garth’s words and Epting/Breitweiser’s interiors make this book a pleasure to read.
Jon and I highly recommend picking up this book. We talk about the pros and cons of TKO’s business models and does it make us want to purchase more of their products? (spoilers – it does).
Welcome back to Comics Misremembered Podcast. We are continuing our discussion on The Immortal Hulk. We are going over the 2nd story arc (issues 6 – 10) which is called “The Green Door“.
Let’s reintroduce the creators of this grand tale:
Writer: Al Ewing
Artists: Jon Bennet, Lee Garbett, Martin Simmons
Inkers: Ruy Jose, Le Beau Underwood & Rafael Fonteriz
Colorist: Paul Mounts
We start with the Hulk still at large and now being pursued by The Avengers for all the destruction he has caused since his resurrection. The Avengers confront Bruce Banner…
A fight ensues and the Hulk almost gets away but Tony Stark pulls out his Ace in the Hole – The Helios Weapon and knocks the Immortal Hulk out.
The Hulk is turned over to the United States Hulk Operations AKA Shadow Base. This is a military organization run by the General Reginald “Reggie” Fortean – the premiere hulk hunter. He has plans for Bruce Banner and The Immortal Hulk but I don’t think Bruce or the Hulk will cooperate willingly with those plans…
We continue the story and review of The Immortal Hulk in the podcast.
***Warning – There are spoilers in the podcast!!***
Jon and I both agree that this is will ultimately be an epic story run and will have a profound impact on Hulk lore for years to come. We highly recommend that you pick up the 2 trades we reviewed and continue on with the story.
Also, I referenced A Tell-Tale Heart on the podcast specifically mentioning a animated short from the 1950s that was narrated by James Mason. I found the clip on YouTube! Here it is:
I am very excited about tonight’s podcast. We will be reviewing the first story arc of the Immortal Hulk # 1 – 5. The story arc is called “Or Is He Both?“
I am excited because I have been reading this in issues for the last 2 years and think it is one of the best written, drawn, inked and colored stories of the last few years. This is not hyperbole. When the creators of this book finish their run, it will go down as one of the best Hulk stories of all time. Jon has not read the series so I gave him “Or Is He Both?” and we discuss the book.
Writer: Al Ewing
Artist: Joe Bennet
Ink: Ruy Jose
Colorist: Paul Mounts
***SPOILERS IN THE PODCAST***
The story opens with a Carl Gustav Jung quote:
“There are two people in every mirror. There is the one you can see…
and there’s the other one.”
Jon and I explore some of Jung’s psychological concepts, what that quote means and how it is applicable to Dr. Bruce Banner and his relationship with the Hulk.
We go on to talk about the ties the second issue has with the Incredible Hulk TV show from the 70s and the unique story telling of issue three.
We end the podcast with Jon’s opinion of the first story arc and if he is as excited as I am to talk about the second story arc next week.
If you can’t find the original issues, Marvel has reprinted a good chunk of them and they are called The Director’s Cut – they feature some supplemental material that wasn’t in the original release.
We don’t spoil everything in the podcast but we will next week so go out and read this comic and join use for part 2 next week!
Back in 2017, I saw a trade paperback for a books called Sugar & Spike: Metahuman Investigations. The cover looked interesting but what caught my eye was the writer – Keith Giffen.
Keith Giffen is a well known writer and artist that has worked on high profile books like Legion of Superheroes and JLA. He is one of my favorite writers because he loves to inject humor in his projects. The 80s JLA is a great example of telling superhero stories with humor instead of the normal grim and gritty style that was popular at the time.
I wasn’t too familiar with the artist Bilquis Evely but I looked at a few pages and really liked her style for this book so I immediately picked it up.
Now, you may not be too familiar with the titular duo and that is okay. These characters were created back in the 50s by writer and artist Sheldon Mayer. They were originally baby characters that were in a funny book. Here is an example of Mayer’s version of Sugar & Spike:
In the podcast, Jon and I go through Sugar & Spike’s cases and we point out that all of their cases are based on silly DC silver age story lines and Giffen pays homage to these classics. One of the pages of the comic references the exact comics:
We both highly recommend this book for the art and humorous story. Jon mentions that this book reminded him of the old Moonlighting show and that is a great example of why this book works: a pair of opposites begrudgingly work together to solve crimes while knocking each other down a peg.
There probably will never be a sequel or follow up so I will just have to enjoy what I have and re-read it again.
Here at Comics Misremembered Podcast, we like to uncover hidden comics, movies, shows, etc. that you may not have heard about but are definitely worth your time.
This week, we are talking about the super hero movie called Super.
It was an independent movie that was written and directed by James Gunn (Guardians of the Galaxy 1 & 2) and it came out in 2010. It starts Rainn Wilson as Frank Darbo who becomes the vigilante super hero Crimson Bolt. Ellen Page stars as Libby who becomes Boltie, his youth side kick. Together they fight crime and try to rescue Frank’s wife, Sarah – played by Liv Tyler.
Here is the trailer of the movie…
In the podcast, I talk about the problems Super had on its initial release but how it is regarded as a cult movie. This is Jon’s first time seeing it and he thought it was great – very funny tempered with dramatic moments. I thought this movie was great back in 2010 and upon watching it again, it still holds up.
The other interesting fact about this movie that I forgot to mention in the podcast is that it ties into Brightburn (another movie we reviewed) and is part of the Brightburn universe if you watch the end credits.
Jon and I normally will go to the Boston Comic Con (now called the Fan Expo Boston) and that is being held this weekend (8/16 – 8/18) but we will not be attending this year. :0
The reason we are not going is nothing that Fan Expo Boston did; they have always put together a good show. The real reason we are not going is that we found a better Comic Con called TerrifiCon. It was held last weekend (8/9 – 8/11) at the Mohegan Sun Casino in Connecticut and it had 3 times as many comic creators than the Fan Expo Boston!
This con has been going on for a few years now and this was our first trip there and also to Mohegan Sun. We had a great time at both!
In the podcast, we talk about the trip from Boston to Connecticut and our experience in the Mohegan Sun and meeting all the writers and artist that were at the con.
We really enjoyed ourselves and look forward to 2020 lineup. Go to www.terrificon.com for more details.
The X-Men soft rebooted again last week (is this like the 4th one so far? I lost count) but I ain’t even mad at you, Marvel for doing it.
I was really enjoying the last incarnation of the Uncanny X-Men that started up last year and then I heard that they were going to stop Uncanny again (Ugh!) and restart with 2 new books: House of X #1 and Powers of X #1.
Now the names aren’t so great – House of X sounds like a 1990s fashion show and Powers of X sounds like a math book, but I was very excited about the creative teams on these books.
House of X is by writer Jonathan Hickman with art by Pepe Larraz
Powers of X is by writer Jonathan Hickman with art by R. B. Silva
Having read other Jonathan Hickman Marvel projects like Fantastic Four, Avengers and Secret Wars – I knew that the X-Men were in good hands and we can expect a really compelling story.
This is exactly what we got. Jon and I review the first 2 issues of House of X and the 1 issue of Powers of X that have come out so far. What I like best about these 2 series is that if you are new to the X-Men or a long time reader (like us), you start on the same page by getting introduced to familiar characters but in a new situation and trying to figure out where the story will go next. Sit back and enjoy the ride.
Spoilers on this podcast – we talk about the story in both but since it is only the beginning, there isn’t much to spoil. Jon and I take guesses on what the creative teams will do next.
Normally, we would be doing a review of the latest comic related movie this week but Jon and I decided that we were not going to see Dark Phoenix in the theater (we explain why in the podcast) so this week we will be doing a retro review.
We have decided to review the apocalyptic comic, The End League. It is written by Rick Remender with art by Matt Broome. It was published by Dark Horse Comics in 2008 and is collected in trades.
This is a 9 issue series and we review only the first 4 issues. Those 4 issues are collected in a trade called Volume 1: Ballad of Big Nothing.
The story revolves around the last remaining super hero group in a world that is controlled by evil madmen. How did our heroes end up in such a situation? We review why one of the bravest heroes of this world, Astonishman is also one of it’s worst enemies and how his righteous actions condemned the world! Remender and Broome do some great world building in these 4 issues and set the reader up for a ride with heroes that are flawed and villains that are ruthless.
Check out the podcast and then do yourself a favor and check out The End League.
Jon and I are celebrating our 4th year putting out Comic Misremembered Podcasts! It was on May 19th 2015 that we created a website and posted our first comics oriented podcast and we have been putting one out every week for the last 4 years. Thanks for sticking with us and continuing to listen!
Now, on to the reason you are here. To listen to us talk about comics and comic related items. This week we are taking a step back in time to review the first Dark Horse Comics The Mask series.
Let me talk about the above images. From left to right: The Mask character made his current incarnation debut on the pages of the short lived Dark Horse Comics Mayhem anthology series. Images 2 and 3 are the actual covers for The Mask miniseries for issues 2 and 3 that came out in 1991. The Mayhem shorts were collected together as a #0 issue when the Mask was collected together in trade paperback form.
The Mask was created by Dark Horse Comics founder, Mike Richardson. The character would be written by other writers and artists but is mostly remember for John Arcudi and Doug Mahnke‘s version which is the Mask from Mayhem and the first 3 miniseries.
Jon has never read a Mask comic and I only stated reading The Mask with the follow up sequel: The Mask Returns (1992). I recently bought the 2nd printing of The Mask Omnibus so that we could read and review the 1st Mask series. This will be a 2 part podcast – Next week we will be reviewing the Jim Carrey movie, The Mask and see how much (or how little) of the comic source material was used in the movie.
Look everybody! We make it to 200 podcasts! How the heck did that happen?! Jon and I would like to thank everyone that listens to the podcast – those that download it on Apple and Google and the rest that come straight to the website and stream it. We greatly appreciate your support.
What are we talking about today? A religious comic! Wait! Come back!! Don’t leave. It’s good. I swear to God…or whatever deity, supernatural and/or comic powered being that you worship. It is a fantastic story. It’s…
Kyle Baker’s KING DAVID
I am a fan of Kyle Baker and try to pick up any comic project that he puts out. This was a graphic novel that was published by DC/Vertigo back in 2003. I saw the cover and immediately bought.
Now, you may not be a Christian (Hell, you may not even be religious!) and you are probably asking “Why do I want to read a parable from the Bible?”
Well, my erudite friend, let me give you a couple of reasons:
Reason 1: The art…
This is a small sample of the contents of the comic. Each page looks like an animation cell. It is a visually stunning story.
Reason 2: The humor written into the story. Instead of doing a straight translation like R. Crumb did with the Book Of Genesis. Kyle Baker tells the story of David but modernizes the dialogue between characters to tell a humorous narrative.
Did I sell you on the book yet? No? Then you must listen to the podcast. Jon and I will give you a myriad of more reasons why you need to read this Bible story.